Raphael
born: April 6, 1483 – April 6, 1520
Biography:
Raphael was born in Urbino. The surname Sanzio derives from the latinization of the Italian, Santi, into Santius (also, when signing solely using his baptismal name, "Raphael"). His father, Giovanni Santi, was also a painter in the court of Urbino.
He was described as a "master" in 1501. In Urbino he came into contact with the works of Paolo Uccello and Luca Signorelli. According to Vasari, his father placed him in Umbrian master Pietro Perugino's workshop as an apprentice "despite the tears of his mother".
At the end of 1508, he moved to Rome (at the urging of Donato Bramante, the architect of St. Peter's)[5] and was immediately commissioned by Julius II to paint some of the rooms at his palace at the Vatican. This marked a turning point - he was only twenty-five years old, an artist in formation, and had not received commissions of such importance and prestige. He well exploited the situation, and remained almost exclusively in the service of Julius and his successor Leo X. At the time, he painted "a series of frescoes in the papal apartments" as well as those of the "Stanza della Segnatura, which include his vast School of Athens." [6] Similar to Michelangelo, Raphael also included the likeness of his peers in his frescos. So much so that Michelangelo (who was working on the Sistine Chapel at the time) accused Raphael of perceived plagarism and years after Raphael's death, complained in a letter that "everything he knew about art he got from me."
In 1514 (following Bramante's death), he was named architect of the new St Peter's . Much of his work there was altered or demolished after his death, but he designed other buildings, and for a short time was both the most important architect and painter in Rome. In 1515 he was entrusted with the preservation and recording of the Vatican collections of ancient sculpture.
After his arrival in Rome, he devoted his efforts to the great Vatican projects, although he still painted portraits of his two main patrons, the popes Julius II and his successor Leo X, the latter portrait considered one of his finest.
According to Vasari, his premature death on Good Friday (April 6, 1520, his 37th birthday) was caused by a night of excessive sex with her, after which he fell into a fever and, not telling his doctors that this was its cause, was given the wrong cure, which killed him. Whatever the cause, in his acute illness Raphael had the wit to receive the last rites, and put his affairs in order. He took the care to dictate his will, in which he left sufficient funds for her care, entrusted to his loyal servant Bavera. Vasari underlines that Raphael was also born on a Good Friday, in 1483, on 27 or 28 March. At his request, he was buried in the Pantheon.
Raphael was born in Urbino. The surname Sanzio derives from the latinization of the Italian, Santi, into Santius (also, when signing solely using his baptismal name, "Raphael"). His father, Giovanni Santi, was also a painter in the court of Urbino.
He was described as a "master" in 1501. In Urbino he came into contact with the works of Paolo Uccello and Luca Signorelli. According to Vasari, his father placed him in Umbrian master Pietro Perugino's workshop as an apprentice "despite the tears of his mother".
At the end of 1508, he moved to Rome (at the urging of Donato Bramante, the architect of St. Peter's)[5] and was immediately commissioned by Julius II to paint some of the rooms at his palace at the Vatican. This marked a turning point - he was only twenty-five years old, an artist in formation, and had not received commissions of such importance and prestige. He well exploited the situation, and remained almost exclusively in the service of Julius and his successor Leo X. At the time, he painted "a series of frescoes in the papal apartments" as well as those of the "Stanza della Segnatura, which include his vast School of Athens." [6] Similar to Michelangelo, Raphael also included the likeness of his peers in his frescos. So much so that Michelangelo (who was working on the Sistine Chapel at the time) accused Raphael of perceived plagarism and years after Raphael's death, complained in a letter that "everything he knew about art he got from me."
In 1514 (following Bramante's death), he was named architect of the new St Peter's . Much of his work there was altered or demolished after his death, but he designed other buildings, and for a short time was both the most important architect and painter in Rome. In 1515 he was entrusted with the preservation and recording of the Vatican collections of ancient sculpture.
After his arrival in Rome, he devoted his efforts to the great Vatican projects, although he still painted portraits of his two main patrons, the popes Julius II and his successor Leo X, the latter portrait considered one of his finest.
According to Vasari, his premature death on Good Friday (April 6, 1520, his 37th birthday) was caused by a night of excessive sex with her, after which he fell into a fever and, not telling his doctors that this was its cause, was given the wrong cure, which killed him. Whatever the cause, in his acute illness Raphael had the wit to receive the last rites, and put his affairs in order. He took the care to dictate his will, in which he left sufficient funds for her care, entrusted to his loyal servant Bavera. Vasari underlines that Raphael was also born on a Good Friday, in 1483, on 27 or 28 March. At his request, he was buried in the Pantheon.
painting gallery
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his work:
the subsequent influence of Perugino on Raphael's early work is most obvious. The evidence of an apprenticeship comes only from Vasari, and has been disputed. But most modern historians agree that Raphael worked as an assistant to Perugino around 1500.
His first documented work was an altarpiece for the church of San Nicola of Tolentino in Cittą di Castello, a town halfway between Perugia and Urbino. It was ordered in 1500 and finished in 1501 (it was later seriously damaged during an earthquake in 1789 and today only fragments of it remain). In the following years he painted works for other churches there (like the Wedding of the Virgin, today in the Brera) and for Perugia
Moving to Florence when he was around 20, he was exposed to Leonardo da Vinci, "whom he never ceased to admire as a mentor and father figure", and to Michelangelo, just eight years his senior, "with whom he later had a stormy and competitive relationship." (Leonardo died in 1519, one year before Raphael, but Michelangelo lived until 1564.) Raphael learned from both men, but while he made use of their exploration of human anatomy, he added sentiment to his paintings.[3] Raphael's time in Florence was very productive and the influences of Leonardo and Michelangelo (who were working on the Mona Lisa and David, respectively, at the time) is unmistakeable. At the time, Raphael's paintings bore "a strong Da Vinci influence with its pyramidal composition, contour, balance and interplay of light and dark (chiaroscuro) and sfumato (extremely fine, soft shading instead of line to delineate forms and features)," while others reveal a Michelangelic inspiration